It's been pretty mellow around here lately. I hung out with Hotsy, ate Chinese food. Replaced the brake lever on my bike, visited Meg-Poo and hung out with X-Tina, Brenda, Stu and Rachel. Tonight, I'm going to make dinner for the kids and perhaps check out Takashi Miike's latest offering: GOZU

Sayeth the Stranger:

* Gozu
The most shocking thing about this 2003 film from cult-favorite shockmeister Takashi Miike, is how pedestrian and benign it seems as the beginning. Miike and screenwriter Sakichi Satô introduce two yakuza: the young, hapless Minami (Hideki Sone), and his elder "brother" in the organization, Ozaki (Shô Aikawa). The only problem in this yakuza group is that Ozaki's going crazy--as demonstrated by his darkly hilarious killing of a Chihuahua that he insists is a "yakuza attack dog." Worried about Ozaki's influence on the group, Minami's superior orders him to put Ozaki in a car, drive him out to the country, and have him disposed of. What follows from there is--dare I say it?--pretty boring, with Minami driving Ozaki around the countryside, and the two having conversations that don't really go anywhere. But then Ozaki suddenly disappears, Minami's left to his own devices to try to track him down, and a subtle demonstration of Miike's brilliance begins: slowly but surely, the darkest, funniest sort of surrealism begins to worm its way into the bewildered Minami's tale. I won't spoil the bizarre events Minami's subjected to--instead I'll use the clichéd "has to be seen to be believed" line, and throw in the fact that by the end credits, some utterly fucking unexpected plot twists leave Gozu in a place so far removed from its prosaic opening that it's hardly recognizable as the same film. (ERIK HENRIKSEN) Varsity, Fri-Sun 1:10, 4, 7, 9:50 pm, Mon-Thurs 7, 9:50 pm.

In other news, Hotsy started school this week. I hope the poor girl doesn't run herself ragged.

1 comment:

Anonymous said...

BTW, that's a really poorly written review. The bullshit "boring, pedestrian beginning" is silly -- the first scene is violent to the point of comedy and it descends into wierdness pretty quickly after the first 10 minutes.

They better not send him to review any French films, he'd never make it through the inevitable hour-long "tone setting" period! The poor dear probably needs an American-style "action-scene-in-the-opening-credits" to really feel at home.

-The Professor